- Postcolonial, Diaspora, & Migration Studies; South Asian Digital Humanities, Comparative Ethnic American Literatures; Digital Pedagogy & Publication; New & Social Media Studies
|2015||now||Assistant Professor of English & Comparative Literature||Dept. of Humanities & Social Sciences, Indian Institute of Technology Roorkee (IITR), India|
|2014||2015||Assistant Professor of English (term)||The City University of New York (CUNY); USA|
|2014||2014||Adjunct Professor of Gender + Women's Studies and Africana Studies||University of Maryland, Baltimore County; USA|
|2011||2013||Lecturer, Center for University Studies & Programs (CUSP)||University of Washington, Bothell; USA|
|2012||2013||Adjunct Professor of Film Studies||Seattle University; USA|
|2009||2012||Lecturer of Humanities & Sciences (Integrated Studies)||Cornish College of the Arts, Seattle, USA|
|2010||2011||Lecturer in English and American Literature||University of Washington, Seattle; USA|
|2009||2010||Lecturer in the Comparative History of Ideas (CHID)||University of Washington, Seattle; USA|
|2001||2009||Doctoral Teaching Associate||Department of English, University of Washington; USA|
|1998||2000||Graduate Teaching Associate||Department of English, Rhode Island College; USA|
|German Academic Exchange/ Deutscher Akademischer Austauschdienst (DAAD) Scholarship.||European Summer University for Digital Humanities & the University of Leipzig; Government of Germany||2017|
|Global Initiative Academic Network (GIAN) Grant||Ministry of Human Resources & Development (MHRD), Government of India||2017|
|Invitation Grant||Oxford University, Digital Humanities Summer School||2017|
|Paper Merit Award||Cultural Studies Association of Australasia||2015|
|Postcolonial Studies Group (PSG) Honorarium||The Graduate Center, City University of New York (NYC)||2015|
|Travel Grant to Chicago||Modern Language Association (MLA)||2014|
|Modern South Asia Workshop Grant||Yale University, USA||2014|
|Travel Grant to Oxford University||University of Maryland, Baltimore County||2014|
|Travel Grant to Jawaharlal Nehru University, New Delhi||Cornish College of the Arts, Seattle||2012|
|Mellon Grant in the Digital Humanities||University of Washington, Bothell||2012|
|Travel Grant to Cambridge University||Teaching & Learning Center, University of Washington, Bothell||2012|
|Community Arts Grant||City of Redmond, WA||2011|
|Travel Grant to Harvard University||American Comparative Literature Association (ACLA)||2009|
|Conference Grant, Comparative History of Ideas Program (CHID)||University of Washington, Seattle||2009|
|Research Grant||Institute for Transnational Studies, University of Washington, Seattle||2007|
|Research Fellowship||Simpson Center for the Humanities, University of Washington, Seattle||2006|
|Graduate University Grant||Humboldt University of Berlin, Germany||2005|
|Washington Fellowship||Pembroke College, Cambridge University, U.K.||2003-2004|
|Summer Merit Fellowship||The School of Criticism & Theory, Cornell University||2002|
|Conference Support Grant||Department of Comparative Literature, Cinema, & Media; University of Washington, Seattle||2001|
|PhD Research Fellowship||Department of English, University of Washington, Seattle||2000-2001|
|Travel Grant to Pune, India||Rhode Island College, USA||1999|
|Graduate Teaching Assistantship||Rhode Island College, Providence||1998|
|PhD||English Literature & Critical Theory||University of Washington, Seattle; USA||2010|
|PhC (MPhil)||English Literature & Critical Theory (Candidate in Philosophy Certificate)||University of Washington, Seattle; USA||2007|
|Summer Research||American Studies, German Language & Culture Studies||Humboldt University of Berlin, Germany||2005|
|Research Cluster Member||"Migration"||Centre for Research in the Arts, Social Sciences, & Humanities (CRASSH), Cambridge University; UK||2003-2004|
|Certificate||Critical Theory||SCT @ Cornell University; USA||2002|
|MA||English (Distinction)||Rhode Island College, Providence; USA||2000|
|Certificate||English Literature||Cambridge University (St. Catharine's College); UK||1999|
|BA||English and Film & Media Studies (Mason Honors/ PAGE Program)||George Mason University, Fairfax; USA||1998|
|2015||now||Article Editor||"Postcolonial Text" (peer-reviewed journal)|
|2015||2016||Staff Advisor||English Soft Skills Development Cell, IITR|
|2013||2013||Co-Chair||Revisiting India's Partition Preconference, University of Wisconsin, Madison|
|2013||2016||Editor||"salaam: the newsletter of the south asian literary association"|
|2012||2012||Co-Chair||Performing South Asia at Home & Abroad International Conference, South Asian Literary Association|
|2011||2016||Executive Committee Member||South Asian Literary Association (SALA)|
|2007||2007||Co-Chair||States of Violence International Conference, University of Washington|
|2006||2009||Member, Curriculum Committee||Comparative History of Ideas Program (CHID), University of Washington|
|2002||2002||Co-Chair||Gender & Sexuality Studies Colloquium, School of Criticism & Theory, Cornell University|
|2001||2001||Co-Chair||Emerging Forms Film & Media Studies conference, University of Washington|
|Memorialising Partition||New Delhi||Faculty of Arts, University of Delhi||April 2017|
|Digital Humanities Winter School||Pune||Institute of Advanced Studies in English/ Center for Digital Humanities||Dec 2016|
|Digital Humanities: Tools, Texts, Theories||Indore||Indian Institute of Technology Indore||March 2015|
- "Postcolonial Text", Article Editor and Anonymous Reviewer
- South Asian Literary Association (SALA), Editor of "salaam: the newsletter of the south asian literary association"
- Modern Language Association (MLA), Member
- Association of Asian American Studies (AAAS), Member
- American Comparative Literature Associaton (ACLA), Member
- Society for the Study of the Multi-Ethnic Literatures of the United States (MELUS), Member
|Topic||Scholar Name||Status of PHD||Registration Year|
|Gender and Trauma in Kashmiri Women's Literature||Elham Fatma||O||2016|
|Postmodernity, Bengali Literature, and Digital Humanities Today||Sudipta Ghosh||O||2017|
|** PLEASE SEE RESUME (above)||MLA||T|
|“Literary and Cultural Returns to Partition.”||1947 Partition Archive + The Center for Studies in Violence, Memory, & Trauma; University of Delhi||T|
|Google Talks: “Hide & Seek: A Conversation with Saad Khan & Rahul K. Gairola."||Google New York||T||2014|
|"Minor Culture" annual conference of the Cultural Studies Association of Australasia (CSAA) at the University of Melbourne, Australia.||CSAA||T||2015|
|“Why Humanities Matters for Science, Technology, Engineering, and Mathematics (STEM) Fields.”||Jaypee University of Information Technology||I||2016|
|"Partition as Profit: Digital Advertising and Manipulation of South Asian Trauma in the 21st Century." Tracking Notions of Progress in South Asia: From the Colonial to the Postcolonial. Wolfson College, University of Oxford, UK. June 16, 2014.||Oxford University||T||2014|
|“British (Di)visions: Transreligious Alliances in Anita Desai’s Clear Light of Day and Khushwant Singh’s Train to Pakistan.” Partition Narratives and South Asian Diasporas pre-conference. University of Wisconsin, Madison. October 17-20, 2013.||University of Wisconsin, Madison||T||2013|
|“South Asian-izing the Digital Humanities” Panel Organizer and Chair, 2013 MLA Presidential Theme Panel. The 128th Annual MLA Convention. Boston, MA. January 3-6, 2013.||Modern Language Association||T||2013|
|“Between Meritocrats & Aristocrats: South Asian Diasporic Identity and the Politics of “Home” in Hanif Kureishi’s Sammy and Rosie Get Laid (1987).” Art & Lives: Studies in the History & Representation of Sexualities. Christ’s College, University of Cambridge, UK. July 4-7, 2012.||Cambridge University||T||2012|
|“Partitions of Subjectivity: Gender & Nation in Tagore’s The Home and the World.” Re-visiting Tagore international conference. Jawaharlal Nehru University, New Delhi, India. March 15-17, 2012.||Jawaharlal Nehru University, India||T||2012|
|“Engendering Cuisines: the Ideological Ingredients of Gender in Salman Rushdie’s Midnight’s Children.” South Asian Literary Association (SALA). Los Angeles, CA. January 7-8, 2011.||South Asian Literary Association (SALA)||T||2011|
|“Spatializations of Diasporic Queerness in Shyam Selvadurai’s Funny Boy.” Global Languages, Local Cultures, ACLA Annual Conference. Harvard University, Cambridge, MA. March 26-29, 2009.||ACLA, Harvard Univeristy||T||2009|
|“Queering Home: Passing & Commodity Fetishism in the Fiction of Jackie Kay.” Masculinity and the Other: An Interdisciplinary Conference. Balliol College, Oxford University, UK. August 29-30, 2007.||Oxford University||T||2007|
|“Capitalist Houses, Queer Homes: Sexuality & South Asian Diasporas in Hanif Kureishi’s My Beautiful Launderette.” Global States conference. University of California, Irvine. May 5-6, 2006.||University of California, Irvine||T|
|“White Skin, Red Masks: ‘Playing Indian’ in Queer American Physique Pictorial Images from the 1960s.” Disciplinary Bodies conference. Cornell University. Ithaca, NY. September 13-14, 2004.||Cornell University||T||2004|
|“Re-Worlding the Oriental: Critical Perspectives on Madonna as Geisha.” Politics of Location in Literatures of the Americas Conference, MELUS-India. Indo-American Centre for International Studies, Osmania University. Hyderabad, India. January 3-5, 2002.||MELUS-India, Osmania University||T||2002|
|"The Kitchen as Liberatory Space: the Un-Gendering of Tita in Laura Esquivel's Like Water for Chocolate." Gendered Spaces/ Espacios De Genero Second Annual Interdisciplinary Conference. University of Huelva, Spain. May 9-11, 2001.||University of Huelva, Spain||T||2001|
|"Burning With Shame: Symbolisms of Fire and South Asian Patriarchy in Gayatri Spivak's 'Can the Subaltern Speak?' and Deepa Mehta's Fire." Literary Studies and Global Culture: An Interdisciplinary Conference. University of Victoria, Canada. March 16-7, 2001.||University of Victoria, Canada||T||2001|
|“From Material Girl to Veronica Electronica: Skating the Edge of Music in Madonna's Ray of Light, or Madonna as Postmodern Signifier.” The California American Studies Association (CASA) On Edge Conference. University of California, Santa Cruz. April 30 - May 2, 1999.||University of California, Santa Cruz||T||1999|
|“’Always Historicize!’ – The Dialectics of Narrative in Toni Morrison’s Sula.” The 30th Annual College English Association (CEA) Conference. Philadelphia, PA. April 1-3, 1999.||College English Association||T||1999|
|“A Diasporic View of Partition Fictions: Anita Desai's Clear Light of Day & Khushwant Singh's Train to Pakistan.” The 12th Annual Indian Association of Commonwealth Languages and Literatures conference. University of Pune, India. January 11-13, 1999.||IACLAL, University of Pune||T||1999|
|Couse Name||Sponsored By||Date|
|Hands on Humanities Data Workshop - Creation, Discovery, & Analysis||European Summer University in Digital Humanities and the University of Leipzig||July 2017|
|Introduction to the Text Encoding Initiative (TEI)||Digital Humanities Summer School at Oxford University (DHOxSS)||July 2017|
|Diversity in Digital Humanities||DH2016-Krakow||July 2016|
|Demystifying the Digital Humanties||The Simpson Center for the Humanities, University of Washington-Seattle||2012-2013|
|Conference Name||Sponsored By||Date|
|"Partition Narratives and South Asian Diasporas"||University of Wisconsin, Madison; USA||17-10-2013|
|"Performing South Asia at Home and Abroad"||South Asian Literary Association (SALA) Annual Conference in Seattle; USA||05-01-2012|
|"States of Violence: Representations of Conflict in the Film, Fiction, and Media of South Asia"||Comparative History of Ideas Program (CHID), University of Washington, Seattle; USA||30-02-2009|
|"Emerging Forms: Media, Narrative, & Technique in the Twenty First Century"||Simpson Center for the Humanities & the Dept. of Comp Lit, Univ of Washington, Seattle; USA||30-11-2001|
|“Digital Homes: Identity and Agency in Postmillennial India.”||Institute for Advanced Studies in English & The Center for Digital Humanities||11-12-2016|
|“Strategies for a Strong Research Proposal.”||IIT Roorkee||3-8-2016|
|“Research and Publishing in Today’s Global Academic Market.”||IIT Roorkee, QIP||16-6-2016|
|"Digital Humanities in India: Tools, Texts, and Theory."||Indian Institute of Technology Indore||12-3-2016|
|"India Rising: South Asian Digital Humanities, Online Advertising Critique, and & Rural Literacy"||Indian Institute of Technology Roorkee||February 6|
|"India Rising: South Asian Digital Humanities and Rural Literacy"||University of Maryland, Baltimore County||8-12-2015|
|"How to Write a Strong PhD Thesis"||HSS Department, IIT Roorkee||5-8-2015|
|"Migrations in Absentia"||Seattle University, USA||4-12-2015|
|“Migrations in Absentia: Partition, Trauma, and Digital Marketing in the 21st Century”||The Graduate Center, City University of New York||27-3-2015|
|"Role of Humanities & Social Sciences in the STEM Fields"||Indian Institute of Technology Roorkee||25-7-2015|
|“British (Di)visions: Transreligious Alliances in Anita Desai’s Clear Light of Day and..."||Modern South Asia Workshop, Yale University||6-4-2014|
|“Between Homes: Western Disciplinary Education and Heteronormative Gender Roles in Michelle..."||Fordham University, New York City||19-3-2013|
|“Re-presenting Poverty: The Music of M.I.A. in Slumdog Millionaire”||Film Studies Inaugural Lecture, Seattle University||10-10-2012|
|“The Cooptation of Racism in the Rhetoric of ‘Marriage Equality’”||Nassau Community College, State University of New York (SUNY)||25-4-2012|
|“Queering the Art Museum: An Interdisciplinary Panel”||Henry Art Gallery, University of Washington Seattle||12-5-2012|
|“Queering Home: Neoliberal Nationalism and Diasporic Genealogies in Kureishi’s Sammy and Rosie"||The Graduate Center, City University of New York||19-03-2010|
|“Home, Identity, & Pedagogies of Belonging”||University of Massachusetts, Dartmouth||8-03-2008|
|“Counter-mapping America: Resistive Reading Practices in the Era of ‘Terror’ and Transnational Cap"||Panjab University, Chandigarh||12-03-2004|
|** PLEASE SEE RESUME (above)||IIT Roorkee||RP|
Digital Homes: Identity & Agency in Postmillennial India. New Delhi and London: Routledge/ Taylor & Francis Group, 2018 (under contract).
Migration from Garhwal: Gender & Home Economics in Rural North India. Nalin Singh Negi, Dinesh K. Nauriyal, and Rahul K. Gairola. Washington, DC: Lexington Books, 2017 (under contract).
Homelandings: Postcolonial Diasporas & Transatlantic Belonging. London & New York: Rowman & Littlefield International, 2016.
Revisiting India's Partition: Memory, Politics, & Culture. Amritjit Singh, Nalini Iyer, and Rahul K. Gairola, Eds. Washington, DC: Lexington Books/ New Delhi: Orient Blackswan, 2016.
Edited journal issues
1. Forthcoming: Digital Humanities and South Asian Studies. South Asian Review (SAR). Co-edited with Roopika Risam. Fall 2018.
Peer-reviewed journal publications
- In progress: “Partitions of Subjectivity: Fraught Femininity and Masculinist Morality in Rabindranath Tagore’s The Home and the World”. Publisher TBA.
- In progress: “Tyger, Tiger: Animal Allegories of Empire in Yann Martel’s Life of Pi and Arvind Adiga’s The White Tiger.” Ariel: A Review of International English Literature. Fall 2017.
- “X Marks the Spot: Rethinking the Limitations of Queer Eroticism in Postcolonial India.” Special issue: South Asian Pornographies: Vernacular Formations of the Permissible and Obscene. Journal of Sexuality Studies (Routledge/ Taylor & Francis Group). Fall 2017.
- “Bastardly Duppies and Dastardly Dykes: Queer Sexuality and the Supernatural in Michelle Cliff’s Abeng (1984) and Shani Mootoo’s Cereus Blooms at Night (1996).” Wagadu: A Journal of Transnational Women’s and Gender Studies. Fall 2017.
- “Sounds Like Resistance: Digital Collaboration as a Politics of Desi People in the Soundtrack of Slumdog Millionaire (2008).” Digital Humanities in India special issue. Asian Quarterly: An International Journal of Contemporary Issues. Fall 2017.
- “Exclusionary Education(s): An Interview with Gayatri Chakravorty Spivak.” Journal of Exclusion Studies 7.1 (February 2017). Special issue co-edited by Rashmi Gaur and Om Prakash.
- “Ambivalence & Security in the Anglo-American Empire: A Critical Dialogue with Homi K. Bhabha.” Co-interviewed with Ashna Ali. Journal of Narrative Theory 47.1: Winter 2017.
- “Limp Wrists, Inflammatory Punches: Violence, Masculinity, & Queer Sexuality in Shyam Selvadurai’s Funny Boy (1994).” South Asian History & Culture 5.4 (Summer 2014). Refereed. Reprint: Mapping South Asian Masculinities: Men and Political Crises. Chandrima Chakraborty, ed. (New York: Routledge, 2015).
- “Engendering Cuisines: Food as a ‘Magico-Realist Agent’ in Salman Rushdie’s Midnight’s Children (1980).” JSL: Journal of the School of Language, Literature, & Culture Studies at Jawaharlal Nehru University XVII (New Delhi, India: Winter 2014). Refereed.
- “White Skin, Red Masks: Queer Images from Physique Pictorial, 1957-67. Liminalities: A Journal of Performance Studies 8.4 (Winter 2012). Refereed. http://liminalities.net/8-4/
- “Occupy Education: An Interview with Gayatri Chakravorty Spivak.” Politics and Culture (September 2012). Refereed. http://www.politicsandculture.org/2012/09/25/occupy-education-an-interview-with-gayatri-chakravorty-spivak/
- “A Critique of Thatcherism and Queering Home in Sammy and Rosie Get Laid (1987).” South Asian Review: Journal of the South Asian Literary Association (SALA) 32.3: South Asian Diasporas special issue (December 2011). Refereed.
- “Capitalist Houses, Queer Homes: Sexuality & South Asian Diasporas in Hanif Kureishi’s My Beautiful Launderette (1985).” South Asian Popular Culture 7.1 (April 2009). Refereed. 37-54.
- “Deterritorialisations of Desire: Transgressive Sexuality as Filipino Anti-Imperialist Resistance in Jessica Hagedorn’s Dogeaters.” Philament 7 (December 2005): XXX special issue. Refereed. 22-41. http://sydney.edu.au/arts/publications/philament/issue7_pdf/GAIROLA_Deterritorialisat.pdf
- “Queering Orientalism: Sexual Otherness & Asian American Studies.” Amerasia: Journal of the UCLA Asian American Studies Center 31.1 (Spring 2005): Orientalism & the Legacy of Edward Said special issue. Invited. 27-31.
- “Filmic Negotiations between Postcoloniality and Queerness: An Interview with Nisha Ganatra.” Journal of Commonwealth & Postcolonial Studies 10.1 (Spring 2003): Postcolonial Queer Studies special issue. Refereed. 226-238.
- “Burning With Shame: Desire and South Asian Patriarchy, from Gayatri Spivak’s ‘Can the Subaltern Speak?’ to Deepa Mehta’s Fire.” Comparative Literature: Journal of the American Comparative Literature Association 54.5 (Fall 2002), 307-324. Refereed. Reprint: Contemporary Literary Criticism 233 (Thomson Gale, 2007).
- “Western Experiences: Education and 'Third World Women' in the Fictions of Meena Alexander and Tsitsi Dangarembga.” Jouvert: A Journal of Postcolonial Studies 4.2 (Spring 2000). http://english.chass.ncsu.edu/jouvert/v4i2/gairol.htm. Refereed.
Peer-reviewed book chapters
- Forthcoming: “Towards a Strategy for Rural Literacy in Digital India.” Contemporary Studies in Indian Literature and Culture. Edited by Rashmi Gaur and Om Prakash. Publisher TBA, 2018.
- Forthcoming: "Postcolonial Digital Humanities." Routledge Handbook of Indian Transnationalism. Edited by Ajaya K. Sahoo and Bandana Purkayastha. New York: Routledge/ Taylor & Francis Group, 2018.
- “Conjugal Homes: Marriage Culture in Contemporary Novels of the Pakistani Diaspora.” Co-authored with Elham Fatma. The Routledge Companion to Pakistani Anglophone Writing: Origins, Contestations, New Horizons. Edited by Aroosa Kanwal and Saiyma Aslam. Abingdon, UK: Routledge/ Taylor & Francis Group, 2017.
- “Digital Closets: Postmillenial Representations of Queerness in Hansel Mehta’s Aligarh and Shakun Batra’s Kapoor & Sons. Queering Digital Activisms, Intimacies & Subjectivities in India. Edited by Rohit Dasgutpa and Debanuj Dasgupta. Edinburgh, UK: Edinburgh University Press, 2017.
- “Engendering Islam: Religio-Cultural Violence and Trauma in Qaisera Shahraz’s The Holy Woman (2001).” Co-authored with Elham Fatma. Trauma, Memory, and Healing in Asian Literature and Culture. Edited by Sharanya Jayawickrama. London: Routledge/ Taylor & Francis Group, 2017.
- “From Bombay Dost to Global Host: Mobile Imaginings of Cybergaysians in Contemporary, Queer India.” Disrupting the Discourse: New Feminisms in South Asian Film, Literature, and Social Media. Edited by Alka Kurian and Sonora Jha. New York City: Routledge/ Taylor & Francis Group, 2017.
- "‘Caliban's Verses and Curses: The Dialect(ic)s of Subordination in Shakespeare's The Tempest from Text to Film. Language, Identity, and Contemporary Society: Social, Cultural, and Theoretical Perspectives. Edited by Rajesh Kumar and Om Prakash. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2017.
- “A Manifesto for Postcolonial Queer Translation Studies.” Feminist Translation Studies: Local and Transnational Perspectives. Edited by Olga Castro and Emek Ergun. New York City: Routledge/ Taylor & Francis Group, 2017.
- "A Partition without Borders: Diasporic Readings of Anita Desai’s Clear Light of Day & Khushwant Singh’s Train to Pakistan." Crossing Borders: Essays on Literature, Culture, & Society. Edited by Tapan Basu and Tasneem Shahnaaz. Madison, NJ: Fairleigh Dickinson University Press, 2017.
- “Migrations in Absentia: Partition, Trauma, and Digital Marketing in the 21st Century.” Revisiting India’s Partition: New Essays on Memory, Politics, & Culture. Edited by Amritjit Singh, Nalini Iyer, and Rahul K. Gairola. Washington, DC: Lexington Books, 2016).
- “Introduction: The Long Partition and Beyond.” Co-authored with Amritjit Singh and Nalini Iyer. Revisiting India’s Partition: New Essays on Memory, Politics, & Culture. Edited by Amritjit Singh, Nalini Iyer, and Rahul K. Gairola. Washington, DC: Lexington Books, 2016).
- “Re-Worlding the Oriental: Critical Perspectives on Madonna as Geisha.” Madonna’s Drowned Worlds: New Approaches to Her Cultural Transformations (1983 – 2003). Santiago Fouz-Hernandez & Freya Ivens-Jarmin, Eds. (Aldershot, UK: Ashgate Publishers, 2004). 104-119.
- “The Kitchen as Liberatory Space: the Un-Gendering of Tita in Laura Esquivel’s Like Water for Chocolate.” Literature, Gender, Space. Sonia Villegas-Lopez and Beatriz Dominguez-Garcia, Eds. (Huelva, Spain: Servicio de Publicaciones de la Universidad de Huelva, 2004). 115-124.
Reference source entries
- “What is Postcolonial Digital Humanities (#DHpoco)?” With Roopika Risam and Radhika Gajjala. salaam: the newsletter of the south asian literary association 38.1 (Summer 2014). http://www.southasianliteraryassociation.org/wp-content/uploads/2011/08/SALA-Newsletter-Summer-2014.pdf
- “Pankaj Mishra.” South Asian Novelists in English: An A to Z Guide. Jaina Sanga, Ed. Westport, CT: Greenwood Press, 2003. Invited.
- “Meena Alexander,” “Alterity,” and “Primitivism.” Encyclopedia of Postcolonial Studies. John Hawley, Ed. Westport, CT: Greenwood Press, 2001. Invited.
Reviews & miscellaneous
- Geeta Patel's Risky Bodies & Techno-Intimacy: Reflections on Sexuality, Media, Science, and Finance book review. South Asian Review 38.2 (2017).
- "Indophobic Cashflows." Jaggery: A DesiLit Arts and Literature Journal. Spring 2017.
- Shyam Selvadurai’s The Hungry Ghosts book review. South Asian Review 37.1 (2016).
- “Like Father, Like Son: A Dialogue with Professor Kamal Verma & Ambassador Richard Verma.” salaam: the newsletter of the south asian literary association 40.2 (Winter 2016). http://www.southasianliteraryassociation.org/wp-content/uploads/2011/08/SALA-Newsletter-Winter-2016.pdf
- “Portable India: A Vision of Responsible Literacy in Digital Democracy.” With Dr. Arnab Datta. The Advocate, City University of New York (October 7, 2015). http://opencuny.org/gcadvocate/2015/10/07/portable-india-a-vision-of-responsible-literacy-in-digital-democracy/
- "Two Years Later: Catching up with Kshama Sawant." Co-interviewed with Robert Franceschini. salaam: the newsletter of the south asian literary association 39.1 (Summer 2015). http://www.southasianliteraryassociation.org/wp-content/uploads/2011/08/SALA-Newsletter-Summer-2015.pdf
- “Wikipedia Ohne Internet” (“Wikipedia Without Internet”). Ich und die Technik (Technology and I) special issue, Kulturaustausch (Culture Exchange). Institute for Foreign Relations, Government of Germany (April 2015). https://media.ifa.de/Zeitschriften-und-Editionen/KULTURAUSTAUSCH/Ich-und-die-Technik.html
- “President Obama and Fellow Democrats Rock the UW.” Seattle Gay News (October 29, 2010). http://www.sgn.org/sgnnews38_44/page2.cfm
- “Bombay Dreaming and the Class Configurations of Home: A Review and Interview on Bombay Dreams.” Popmatters.com (5 October 2006). http://www.popmatters.com/feature/bombay-dreaming-and-the-class-configurations-of-home-a-review-and-interview/
- Jean Baudrillard’s Passwords. Popmatters.com (21 January 2004). http://www.popmatters.com/review/passwords-2003/
- Rajeswari Sunder Rajan’s The Scandal of the State: Women, Law, & Citizenship in Postcolonial India. Co-authored with Sharleen Mondal. South Asian Review 24.3 (2003).
- Salman Rushdie’s Step Across This Line, 1992 – 2002. Popmatters.com (10 October 2002). http://www.popmatters.com/review/fury/
- “Will & Grace: Watching with Ambivalence.” Popmatters.com (16 September 2000).
- Michael Eric Dyson's Material Witness: Race, Identity and the Politics of Gangsta Rap video review. Literature & Psychology: a Journal of Psychoanalytic and Cultural Criticism 45.4 (1999).
- TEACHING PHILOSOPHY: How I today meditate on teaching has evolved from instruction at a number of institutions that was catalyzed by my graduate mentors many years ago at in Providence, RI. I began teaching as a Graduate Teaching Assistant at Rhode Island College at 22 years old. Almost immediately, I learned that teaching is intimately linked to research, and that research constitutively impacts effective teaching. And this link has over time re-shaped my identities as an expat living in Northern India, a multilingual American citizen of South Asian origin, my postcolonial parents’ youngest son, a fraternal twin, etc. Impeccable communications skills with respect to thinking, speaking, writing, and gestures help us to move towards greater understandings of others and, by extension, of ourselves since often we are our own greatest strangers.